
Of course, there's no telling whether he's actually saving the world from an invading force of legendary monsters or just madly slaughtering anyone who looks at him the wrong way. And don't think he isn't aware of that conundrum. Christopher Yost's smooth storytelling plants the seeds of doubt early, promising a road with plenty of twists and turns before it delivers its final analysis at the conclusion of this three-issue mini-series. Sloan is a fine lead character, sure of what he's seeing but not of his own state of mind. Is the senior VP really sporting a pair of magnificent, curled horns around his temples? Did those pills his therapist prescribed solve his problems or amplify them? Dan isn't sure, and neither are we – the only thing that's obvious is the ever-increasing body count accumulating around his feet.
Atomic Robo veteran Scott Wegener provides the artwork, which takes an even looser, more stylized form than his previous works. His contributions give Killer of Demons an immediate, distinct personality that's tough to look away from. Clearly having a great time with both the subject matter and the sheer volume of blood n' guts, Wegener's artwork is every bit as much fun to take in as I'm sure it was to pencil in the first place. His action scenes in particular are outstanding, with Dan transforming from a worn-down, confused working stiff into an honest-to-god action hero somewhere in the pause between panels. He's found a great fit in colorist Ronda Pattison, whose bold, appropriate shifts in palette keep the issue looking fresh and expertly manage the wild shifts of emotion intended by the story. This is a damn fine looking book.
Yost and Wegener's black comedy is a rousing success. If you enjoyed the sick sense of humor and crazed, "Did that really just happen?" twists of Shaun of the Dead or Army of Darkness, this is meant for you. It doesn't deliver any punchlines, but that won't stop you from grinning ear to ear for the duration. Buy it.
Overall Score: 9

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